2018 Studio Tour
Saturday June 2nd &
Sunday, June 3rd
11AM to 5PM
Click here for tour map
For all the latest South Orange and Maplewood Studio Tour News join our mailing list!
Our 2018 Sponsors
Thank you for your generous support!
Contributors
Gallery 1978
Jerry's Artist Outlet
Pet Wants
South Orange Frame Shop
Trader Joe's Millburn
Stay in Touch
Please join our mailing list.Behind the Scenes: How the Tour Map Is Designed Each Year
Each year, the South Orange Maplewood Artists Studio Tour turns two neighbouring New Jersey communities into a walkable, driveable gallery. The printed and interactive map is central to that experience, helping visitors move between private studios, galleries, exhibitions and shared creative spaces.
Creating the map involves much more than placing pins on a screen. Organisers balance artist locations, venue details, opening hours, accessibility, transport options and the natural rhythm of a weekend visit. The result needs to feel simple for a first-time guest while accurately representing a diverse local art scene.
For visitors from Australia, the process may feel familiar. Like planning a self-guided arts weekend around Melbourne’s laneways, Sydney’s gallery precincts or Brisbane’s creative districts, the map must turn a collection of individual destinations into a coherent cultural journey.
Gathering Artist And Venue Details
The process begins with current information from participating artists, galleries and community venues. Organisers confirm studio addresses, exhibition locations, contact details, preferred display names and the types of work visitors can expect to see, from painting and sculpture to jewellery, textiles and mixed media.
Accuracy matters because many stops are working studios or residential spaces rather than permanent galleries. A small change in entrance location, parking instructions or opening times can affect a visitor’s entire route. Artists may also join or withdraw from the tour, making an annual review essential.
Turning Locations Into A Usable Map
Once the details are collected, each destination is plotted geographically. The design team considers how locations relate to one another across South Orange and Maplewood, identifying clusters that can be explored on foot and areas better suited to cycling or driving.
The map must work for different touring styles. Some visitors may enjoy a relaxed walk between nearby studios, while others may plan a longer circuit with several stops. This is similar to navigating a Sydney art trail using trains and short walks, or combining galleries and cafés during a Melbourne weekend outing.
Balancing Clarity With Creative Character
A useful tour map should be easy to scan, but it should still reflect the personality of the artists and the communities hosting them. Clear symbols, readable labels and sensible grouping help visitors find the practical information quickly without making the design feel cold or overly technical.
Colour, typography and visual hierarchy are carefully considered. A map that looks attractive in a web browser must remain legible when printed, viewed on a phone or checked quickly while standing outside a venue. The design also needs to accommodate sponsors and essential event information without crowding the route itself.
Planning For Real-World Movement
Routes are assessed with real visitor behaviour in mind. Organisers consider walking distances, road crossings, parking availability, public transport connections and the likely flow of people between popular destinations. The aim is not to prescribe one itinerary, but to make several practical choices possible.
Weather can influence those choices. A warm Brisbane-style summer day, sudden rain or limited shade can change how long visitors want to remain outdoors. Although South Orange and Maplewood have their own seasonal conditions, the principle is universal: a good map helps people make informed decisions before they set out.
Connecting Print And Digital Navigation
The printed map provides an at-a-glance overview, while the interactive online version can offer greater detail. Digital visitors may use map pins, mobile directions, artist profiles, event updates and links to mailing-list information as they plan their day.
This combination serves different audiences. Some people still prefer marking stops on paper, much like visitors carrying a printed program at an Australian community arts festival. Others expect mobile-friendly navigation, especially when moving between venues or checking whether a particular exhibition is open.
Checking The Map Before Publication
Before release, the map goes through a careful checking process. Addresses are compared with registration information, map pins are tested, labels are proofread and the layout is reviewed at different sizes. Organisers may also check whether the map makes sense to someone who has never visited the area.
The final review is both practical and editorial. Every participating artist should be represented fairly, while the overall design must remain uncluttered and approachable. Sponsor recognition, event dates and visitor guidance are fitted into the layout without distracting from the creative work on display.
Details That Make A Tour Easier
- Check the interactive map before leaving and save the locations you most want to visit.
- Group nearby studios into a walking route where possible.
- Allow extra time for conversations with artists and unexpected discoveries.
- Confirm opening hours and venue access details on the event website.
- Use the printed map as a backup if mobile reception or battery life becomes an issue.
A thoughtfully designed map does more than show where artists are located. It creates connections between neighbourhoods, venues and visitors, encouraging people to explore at their own pace and discover work they might otherwise miss. For an Australian visitor, it offers the same value as a well-planned local art trail: a clear starting point, flexible routes and enough detail to turn a day of looking into a richer community experience. The practical takeaway is simple—review the map before setting out, choose a manageable cluster of stops and leave room for the unexpected.