2018 Studio Tour
Saturday June 2nd &
Sunday, June 3rd
11AM to 5PM

Click here for tour map


For all the latest South Orange and Maplewood Studio Tour News join our mailing list!


Our 2018 Sponsors

Thank you for your generous support!





Contributors
Gallery 1978
Jerry's Artist Outlet
Pet Wants
South Orange Frame Shop
Trader Joe's Millburn

Stay in Touch

Please join our mailing list.

Maplewood Architecture Through Local Artists’ Eyes

Maplewood’s streets offer more than a backdrop for the South Orange Maplewood Artists Studio Tour. Their porches, rooflines, brickwork and mature trees become visual subjects, giving local artists a rich vocabulary of shape, texture, colour and memory. A familiar house can shift from background detail to the central character of a painting or photograph.

For visitors from Australia, the town’s architecture may feel both recognisable and distinct. Maplewood’s clapboard homes, bay windows and enclosed porches have a different rhythm from Melbourne’s terrace houses, Sydney’s sandstone cottages or Brisbane’s airy Queenslanders, yet the creative impulse is similar: artists notice how buildings express climate, history and daily life.

The free community tour brings that observation indoors, where visitors can meet creators, explore studios and discover paintings, sculpture, mixed media, jewellery, textiles and more. Architecture becomes a useful thread connecting the map, the artists and the neighbourhoods between South Orange and Maplewood.

Reading The Residential Streetscape

Many Maplewood homes reflect late nineteenth- and early twentieth-century design traditions, including Queen Anne, Colonial Revival, Tudor and Arts and Crafts influences. Artists may focus on a turret, a steep gable or a row of leaded-glass windows, simplifying those details into bold shapes or delicate lines.

Porches are especially expressive subjects. They suggest welcome, privacy and seasonal change, while columns and railings create repeating patterns that translate well into printmaking, drawing and textile work. The relationship between a house and its garden can be as important as the structure itself, particularly when climbing vines or old trees soften the geometry.

Light, Weather And Seasonal Colour

Maplewood’s changing seasons give architectural studies a constantly shifting palette. Snow can flatten detail and emphasise silhouettes; autumn leaves bring copper, russet and gold against painted façades; summer light reveals the grain of wooden siding and the uneven surface of old masonry.

This sensitivity to atmosphere will be familiar to Australian audiences. The hard midday brightness of Brisbane, the cool shadows of Melbourne laneways and the warm sandstone glow of Sydney each produce different ways of seeing. Maplewood artists similarly use local light to turn ordinary streets into studies of mood, time and place.

Materials That Carry Memory

Brick, timber, slate, glass and iron each leave a different mark on an artwork. A painter might layer pigment to suggest weathered shingles, while a ceramicist could echo the roughness of a retaining wall. Jewellery and mixed-media artists may borrow architectural motifs such as arches, hinges, brackets or decorative borders.

The subject also invites questions about preservation and change. Renovations, additions and newly planted gardens show how residents adapt older buildings to contemporary life. These tensions can produce work that feels documentary without becoming purely historical, preserving the character of a street while acknowledging its evolution.

From Street View To Studio Work

Artists often begin with a walk, a sketchbook or a photograph before transforming a building through memory and imagination. A façade may be cropped into an abstract composition, while a front door becomes a meditation on arrival, belonging or absence. In a studio, the original location matters, but so does the artist’s personal response.

Visitors planning a full day can use the tour map alongside the schedule, allowing time for conversations rather than rushing between stops. The final visit checklist is useful for practical details such as comfortable clothing, timing and preparing for a relaxed studio visit.

Collecting A Sense Of Place

Architecture-inspired art can be an accessible way to start a collection. A small print of a Maplewood streetscape may carry the atmosphere of an entire neighbourhood, while a textile panel or sculpture can express the rhythm of windows, steps and rooflines without depicting a specific building.

Australian visitors may recognise the appeal from local art markets and open-studio weekends, where a work’s connection to place often matters as much as its technique. Before purchasing, consider where the piece will live, how much natural light it will receive and whether its materials suit the climate. The guide to framing artwork well offers helpful context for preserving works on paper and presenting them at home.

The tour’s community network also helps sustain this exchange between artists and audiences. Support from local organisations and businesses, including The Tenth Muse, makes it possible to celebrate creative practice beyond traditional gallery settings.

Maplewood’s architecture rewards slow looking. Notice the porch light, the angle of a roof, the texture beneath peeling paint or the way a tree interrupts a window. When exploring the tour, choose one architectural detail that catches your eye and use it as a guide to the artists, materials and stories found along the route.